{"id":910,"date":"2017-07-20T13:43:10","date_gmt":"2017-07-20T13:43:10","guid":{"rendered":"https:\/\/2026.ikon2023.eu\/index.php\/top-10-peter-gabriel-era-genesis-songs\/"},"modified":"2017-07-20T13:43:10","modified_gmt":"2017-07-20T13:43:10","slug":"top-10-peter-gabriel-era-genesis-songs","status":"publish","type":"page","link":"https:\/\/2026.ikon2023.eu\/index.php\/top-10-peter-gabriel-era-genesis-songs\/","title":{"rendered":"Top 10 Peter Gabriel Era Genesis Songs"},"content":{"rendered":"

\"\"Since the first rumblings of Genesis in 1967, it was clear that Peter Gabriel had his own unique vision. His path to find his own artistic identity would lead him to constantly look for new ground. Though his tenure with Genesis was less than a decade, the mark he left on the band, and the fans, is undeniable. To this day there are those who swear only by the Gabriel era, dismissing everything that came after, while, of course, record sales would play devil\u2019s advocate. While Gabriel would go on to artistic and commercial triumphs on his own, the music he created with Genesis remains a unique and incredible batch of recordings. We have picked a paltry few of the many highlights of the fabled era for this list of the Top 10 Peter Gabriel Genesis Songs, but the truth is, there\u2019s nary a bum note in the entire catalog.<\/p>\n

\"\"<\/p>\n

10<\/strong><\/span>
\u201cIn the Beginning\u201d<\/strong><\/span>
From: \u2018From Genesis to Revelation\u2019 (1969)<\/strong><\/span>
\u00a0
The first Genesis album, From Genesis to Revelation is all but forgotten, even by many of the band\u2019s fans. While the band is obviously not fully developed yet, as a first step, it\u2019s got plenty of charm and great tunes. Early on, Genesis had adopted a significantly more \u201cpop\u201d approach than what they would soon immerse themselves in. Plenty of nods to the likes of the Beatles and Bee Gees were front and center, but you can hear the rumblings of what would become the true Genesis sound on the song \u201cIn the Beginning.\u201d The song begins with an ominous rumble before the acoustic guitar driven tune kicks in, and the offbeat lyrics give a hint as to what was to come. While the song has elements of the Moody Blues, it is decidedly more aggressive. The essence of musical drama was in the air. A lost gem if ever there was one.<\/p>\n

9<\/strong><\/span>
\u201cThe Knife\u201d<\/strong><\/span>
From: \u2018Trespass\u2019 (1970)<\/strong><\/span>
\u00a0
With their second album, Trespass, Genesis had noticeably changed direction from their first recordings. Gone were the more quaint, Baroque pop stylings, and in their place a more, dare we say, \u201cmature\u201d mood created. The songs were longer, more complex and more demanding. This approach would be cemented by album number three, but of the songs here, there is no denying \u201cThe Knife\u201d as king. This song was their first show-stopper, serving as the centerpiece of their concerts at the time. The band is commanding as they flex their musical muscle here, while Gabriel is finding his signature voice here as well.
\u00a0
8<\/strong><\/span>
\u201cThe Lamb Lies Down on Broadway\u201d<\/strong><\/span>
From: \u2018The Lamb Lies Down on Broadway\u2019 (1974)<\/strong><\/span>
\u00a0
The shimmering piano intro sets the scene as the band slowly move in and the story of the troubled Rael is put forth on the No. 8 entry in our list of the Top 10 Peter Gabriel Genesis Songs. The catchy, yet far from simplistic song, is brimming with a bravado not always part of the Genesis arsenal. Gabriel\u2019s vocal here ranks as one of his finest.\u00a0 \u201cThe story in a way, is like a Pilgrim\u2019s Progress but on the streets of New York,\u201d said Gabriel in commenting on the album, \u201cIt\u2019s a spiritual journey into the soul, but it was quite a tough world that\u2019s feeding the imagery.\u201d
\u00a0
7<\/strong><\/span>
\u201cFirth of Fifth\u201d<\/strong><\/span>
From: \u2018Selling England by the Pound\u2019 (1973)<\/strong><\/span>
\u00a0
While Gabriel\u2019s performance on this tune from their fifth album, Selling England by the Pound, is nothing short of brilliant, it is the instrumentalists who really steal the show here. From the grand piano intro by Tony Banks to the spine-chilling guitar solo from Steve Hackett, this is a tour de force. Banks, Hackett and Gabriel (on flute) each draw from the same melodic theme for their respective solos, but it\u2019s not until Hackett is in the driver\u2019s seat that it takes off for the skies.<\/p>\n

6<\/strong><\/span>
\u201cThe Carpet Crawlers\u201d<\/strong><\/span>
From: \u2018The Lamb Lies Down on Broadway\u2019 (1974<\/strong>)<\/span>
\u00a0
\u201cThe Carpet Crawlers\u201d is arguably the most beautiful song Genesis ever laid down. From the haunting piano intro to the final fadeout, it is second-to-none in terms of dreamlike beauty. The melody itself is haunting, but Peter\u2019s performance here is beyond compare. The song builds, becoming more forceful and majestic as it moves along. Though a 1999 re-recorded version featuring both Gabriel and Phil Collins made its way to radio play, it is the Lamb original that resonates for the ages.<\/p>\n

5<\/strong><\/span>
\u201cWatcher of the Skies\u201d<\/strong><\/span>
From: \u2018Foxtrot\u2019 (1972)<\/strong><\/span>
\u00a0
The opening number during the band\u2019s 1972 tour and No. 5 on our list of the Top 10 Peter Gabriel Genesis Songs, \u201cWatcher of the Skies\u201d set the stage for the band\u2019s increasingly visual stage shows. As Gabriel appeared out of the darkness with bat wing headdress, glowing eye make up and glittery cape, he transformed Genesis concerts into a feast for the eyes as well as the ears. The long organ intro by Tony Banks creates a tension not broken until the band crash the party in 6\/8 time. The stop-start riff may have been inspired by the intense style of King Crimson, but Genesis put their own spin on things. Certainly one of the band\u2019s most loved songs.<\/p>\n

4<\/strong><\/span>
\u201cDancing With the Moonlit Knight\u201d<\/strong><\/span>
From: \u2018Selling England by the Pound\u2019 (1973)<\/strong><\/span>
\u00a0
As the needle hits the vinyl on the first track on Selling England by the Pound, we hear Peter Gabriel alone in the spotlight, almost as if he\u2019s delivering a sermon. \u201cCan you tell me where your country lies, said the uni-faun to his true love\u2019s eyes,\u201d he sings a capella before the band quietly make their presence known. Gabriel recites a tale of a not-so merry Old England, as the band are blazing here with complex changes dished out left and right. \u201cOne of the aims of this record was to look at Englishness in a different way,\u201d said Peter Gabriel in an interview about the making of the album. Guitars and Mellotron entwine to create a beautiful wall of sound.<\/p>\n

3<\/strong><\/span>
\u201cThe Musical Box\u201d<\/strong><\/span>
From: \u2018Nursery Cryme\u2019 (1971)<\/strong><\/span>
\u00a0
\u201cI think we wanted to expand the horizons of the musical world we were living in,\u201d said Peter Gabriel in a documentary about Nursery Cryme, their third album, and first album to feature guitarist Steve Hackett and drummer Phil Collins. By this time, they had finally found their musical identity. Incorporating a variety of influences from the worlds of pop, rock and classical, \u201cThe Musical Box\u201d kicks off that album and welcomes the listener to their unique world. It\u2019s all here, the drama, the humor, and the intricate musical road map. \u201cAnd the nurse will tell you lies of a kingdom beyond the skies,\u201d were not your standard rock and roll lyrics, but of course, Genesis were not your standard rock and roll band. They would up the ante over the next few albums, surpassing themselves at every turn, but this is their first genuine classic.<\/p>\n

2<\/strong><\/span>
\u201cBack in N.Y.C.\u201d<\/strong><\/span>
From: \u2018The Lamb Lies Down on Broadway\u2019 (1974)<\/strong><\/span>
\u00a0
\u00a0Released in the fall of 1974, The Lamb Lies Down on Broadway is arguably the band\u2019s masterpiece. The\u00a0 listener is taken on a thrilling ride from start to finish, veering from pure pop melodies to wild sonic experimentation, often within the same song. As the conceptual, and admittedly confusing, story of Rael unfolds before our ears, one thing is for certain, Genesis were at the top of their game. Gabriel\u2019s performance throughout is stunning, perhaps nowhere more so than on \u201cBack in N.Y.C.\u201d The power of his voice here is striking as he spits out the lyrics with pure venom. The anger in his performance, and the fact that the character of Rael was a leather jacket-clad street punk, predates both the Ramones, and punk rock by nearly a year. So much for the prog vs. punk wars.<\/p>\n

1<\/strong><\/span>
\u201cSupper\u2019s Ready\u201d<\/strong><\/span>
From: \u2018Foxtrot\u2019 (1972)<\/strong><\/span>
\u00a0
The signature song of the band\u2019s live set for several years, \u201cSupper\u2019s Ready\u201d is an epic tour de force, its power and beauty remaining in full bloom all these years later. Though the song clocks in at over 22 minutes, it\u2019s hardly the pretentious ramblings often associated with prog rock. It is, in fact, a handful of shorter songs strung together to create a milestone of the progressive rock era. The often surrealistic lyrics are laid out atop the ever-shifting, always dynamic musical backdrop to create one of the most unique entries in their catalog.\u00a0 For many, this was the pinnacle of the Gabriel era, and heads our list of the Top 10 Peter Gabriel Genesis Songs.<\/p>\n

Go Back<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Since the first rumblings of Genesis in 1967, it was clear that Peter Gabriel had his own unique vision. His path to find his own artistic identity would lead him to constantly look for new ground. Though his tenure with Genesis was less than a decade, the mark he left on the band, and the […]<\/p>\n","protected":false},"author":1,"featured_media":908,"parent":0,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-910","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/910","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/comments?post=910"}],"version-history":[{"count":0,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/910\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media\/908"}],"wp:attachment":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media?parent=910"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}