{"id":653,"date":"2014-09-12T18:40:46","date_gmt":"2014-09-12T18:40:46","guid":{"rendered":"https:\/\/2026.ikon2023.eu\/index.php\/1970-73-the-long-and-winding-road\/"},"modified":"2014-09-12T18:40:46","modified_gmt":"2014-09-12T18:40:46","slug":"1970-73-the-long-and-winding-road","status":"publish","type":"page","link":"https:\/\/2026.ikon2023.eu\/index.php\/1970-73-the-long-and-winding-road\/","title":{"rendered":"1970-73 the long and winding road"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\" alignleft size-full wp-image-652\" style=\"margin-left: 12px; margin-right: 12px; float: left;\" src=\"https:\/\/2026.ikon2023.eu\/wp-content\/uploads\/2014\/09\/onstring-c04.jpg\" alt=\"\" width=\"175\" height=\"194\" \/>The albums gave birth to songs which would remain in the band&#8217;s repertoire for years, indeed, in some cases, until this day: their early anthem &#8220;The Knife&#8221;, the haunting &#8220;Fountain of Salmacis&#8221; and &#8220;Watcher of the Skies&#8221; and &#8220;I Know What I Like&#8221; (a number 17 single in the UK &#8211; a huge breakthrough). Above all, it was these albums which saw them develop their taste for huge epics &#8211; epics huge in length, scope and ambition, chief among them &#8220;Foxtrot&#8217;s&#8221; &#8220;Supper&#8217;s Ready&#8221; and &#8220;Selling&#8217;s&#8221; &#8220;Firth of Fifth&#8221;. These songs, as much as any by their contemporaries, defined &#8220;progressive rock&#8221;.<\/p>\n<p style=\"text-align: justify;\">The years 1970-1973 are known for the settling-down of the band&#8217;s line-up, for endless touring and for the development of an extraordinary stage show. But ultuimately, their legacy is a series of albums of gradually increasing self-confidence, extravagance and experimentation. That Tony Stratton-Smith stood by them through these years is a testament to his belief in a developing body of work heard in the albums &#8220;Trespass&#8221; (1970), &#8220;Nursery Cryme&#8221; (1971 &#8211; Collins&#8217; and Hackett&#8217;s recording debut with the group), &#8220;Foxtrot&#8221; (1972), &#8220;Genesis Live&#8221; (1973) and &#8220;Selling England By The Pound&#8221; (1973).<\/p>\n<hr \/>\n<p style=\"text-align: center;\"><strong><img decoding=\"async\" class=\" size-full wp-image-508\" src=\"https:\/\/2026.ikon2023.eu\/wp-content\/uploads\/2014\/12\/fox4-174.jpg\" width=\"1000\" srcset=\"https:\/\/2026.ikon2023.eu\/wp-content\/uploads\/2014\/12\/fox4-174.jpg 440w, https:\/\/2026.ikon2023.eu\/wp-content\/uploads\/2014\/12\/fox4-174-300x152.jpg 300w\" sizes=\"(max-width: 440px) 100vw, 440px\" \/><\/strong><\/p>\n<p style=\"text-align: right;\"><a href=\"index.php?option=com_content&#038;view=article&#038;id=213\" rel=\"alternate\"><strong>Go Back<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The albums gave birth to songs which would remain in the band&#8217;s repertoire for years, indeed, in some cases, until this day: their early anthem &#8220;The Knife&#8221;, the haunting &#8220;Fountain of Salmacis&#8221; and &#8220;Watcher of the Skies&#8221; and &#8220;I Know What I Like&#8221; (a number 17 single in the UK &#8211; a huge breakthrough). Above [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":652,"parent":0,"menu_order":4,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-653","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/653","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/comments?post=653"}],"version-history":[{"count":0,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/653\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media\/652"}],"wp:attachment":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media?parent=653"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}