{"id":639,"date":"2013-09-04T05:54:03","date_gmt":"2013-09-04T05:54:03","guid":{"rendered":"https:\/\/2026.ikon2023.eu\/index.php\/bootlegs1972\/"},"modified":"2013-09-04T05:54:03","modified_gmt":"2013-09-04T05:54:03","slug":"bootlegs1972","status":"publish","type":"page","link":"https:\/\/2026.ikon2023.eu\/index.php\/bootlegs1972\/","title":{"rendered":"Bootlegs on Vinyls"},"content":{"rendered":"\n\n\n\n\n\n\n\n\n\n
\n

\"The1 – THE HIDING PLACE<\/strong><\/span><\/p>\n

\u00a0GNV 100.
Source: London, 22 \/ 02 \/ 1970,
Trident Studios (demo).
Rec.Level: A<\/strong>.
Format: 12″ single, 33 RPM. Limited edition for Promotional Use. Edited and produced by GNC Rec. Artwork by Gnuvo. Black and white cover. First recording John Mayhew on drums. First\u00a0 pressing 50 numb. copies (Handmade Art Sleeve) including two unissued 7″x10″ Pics. Second pressing deluxe b\/w cover and side one remastered plus 100 copies on red vinyl. Third different sleeve and pressing on multicolored vinyl, 15 copies.<\/span><\/p>\n

SIDE ONE: Sheperd \/ Placidy \/ Let Us Now Make Love<\/span><\/p>\n

SIDE TWO: Stagnation \/ Looking For Someone.<\/span><\/p>\n

\n<\/td>\n		\n

\"Marquee<\/span>2 – LIVE AT MARQUEE CLUB IN LONDON<\/strong><\/span>\u00a0\u00a0<\/span> <\/strong><\/p>\n

\u00a0<\/span><\/strong>TAKRL 932, The Amazing
Kornyfone Recording Label.
Source: London, Marquee Club
10 \/ 11 \/ 1972 (Dec.1972 ?).
Rec.Level: B (Stereo).
Format: 12″ single, 33 RPM. First Pressing on plain mustard labels. Reissued in 1978 on “SPUNK” and “MONIQUE D’OZO” labels.<\/span><\/p>\n

SIDE ONE: Watcher Of The Skies \/ Can-Utility And The Coastliners \/ The Musical Box
SIDE TWO: The Return Of The Giant Hogweed \/ The Knife.<\/span><\/p>\n

\n<\/td>\n<\/tr>\n
\n

\"Imperial<\/span>3 – LIVE IN LONDON – WINTER 1972, IMPERIAL COLLEGE<\/strong><\/span><\/p>\n

\u00a0Promo copy not for sale.
Source: London, Imperial College,
18 \/ 11 \/ 1972.
Rec.Level: A<\/strong>\/B<\/strong> (Stereo).
Format: 12″ single Picture Disc, 33 RPM. White and Brown P.D. with different picture on each side. First pressing (500 copies numbered) sealed with a triangular sticker. Second pressing unnumbered and without sticker.<\/span><\/p>\n

SIDE ONE: Watcher Of The Skies \/ The Musical Box
SIDE TWO: Get’em Out By Friday \/ The Return Of The Giant Hogweed.<\/span><\/p>\n

\n<\/td>\n		\n

\"Living<\/span>4 – LIVING IN A TWILIGHT HOUSE<\/strong><\/span><\/p>\n

\u00a0TKE 11780.
Source: Watford, Town Hall,
28 \/ 6 \/ 1972 and (1\/3) Montreal,
University Sportcenter, 21 \/ 4 \/ 1974.
Rec.Level: B<\/strong> (Stereo).
Format: 12″ single, 33 RPM. Plain white cover with two different paper inserts (300 numbered copies).<\/span><\/p>\n

SIDE ONE: Stagnation \/ The Fountain Of Salmacis \/ Peter Gabriel Talks
SIDE TWO: Happy The Man \/ Twilight Alehouse \/ The Musical Box.<\/span><\/p>\n

\n<\/td>\n<\/tr>\n
\n

\"Old<\/span>5 – OLD MAN’S TALE<\/strong><\/span><\/p>\n

\u00a0<\/strong>BRUSH.
Source: Genova 22 \/ 08 \/ 1972,
Teatro Alcione (Italy).
Rec.Level: C<\/strong> (Mono).
Format: 7″ single EP Picture Disc Full Colour with different picture on each side. First pressing 30 copies. Second, 200 numbered copies but unplayable and about 100 copies were destroyed. Very rare EP with one of the two known live versions of Seven Stones.<\/span><\/p>\n

SIDE ONE: Seven Stones
SIDE TWO: Bye Bye Johnny (original version of Can-Utility And The Coastliners).<\/span><\/p>\n

\n<\/td>\n		\n

\"The<\/span>6 – THE STORY SO FAR<\/strong><\/span><\/p>\n

\u00a0 <\/span><\/strong>BRUSH, 1 A\/B.
Source: Bruxelles, Charleroi Festival,\u00a0\u00a0 16 \/ 01 \/ 1972.
Rec.Level: A (Stereo).
Format: 7″ single, 33 RPM. Limited edition of 100 numbered copies with the booklet “The Story So Far…”.<\/span><\/p>\n

SIDE ONE: Stagnation<\/span><\/p>\n

SIDE TWO: Twilight Alehouse.<\/span><\/p>\n

\n<\/td>\n<\/tr>\n
\n

\"Genova<\/span>7 – THROUGH THE LOOKING GLASS<\/strong><\/span><\/p>\n

\u00a0Alternative Recording Company, GNV017.
Source: Genova, 22 \/ 08 \/ 1972,
Teatro Alcione (Italy).\u00a0
Rec.Level: C<\/strong> (Mono).
Format: 12″ single, 33 RPM. Deluxe full colour cover with 100 numbered copies on colour vinyl (grey-black). Inside there is a thick clear plastic sleeve with a 12″ x 12″ full-colour cardboard flat that is hand numbered.<\/span><\/p>\n

SIDE ONE: Watcher Of The Skies \/ Bye Bye Johnny (original version of Can Utility And The Coastliners) \/ The Fountain Of Salmacis
SIDE TWO: Seven Stones \/ The Musical Box \/ The Return Of The Giant Hogweed.<\/span><\/p>\n

\n<\/td>\n		\n

\"Glass<\/span>8 – THROUGH THE LOOKING GLASS (picture disc)<\/strong><\/span><\/p>\n

\u00a0Alternative Recording Company, GNV017.
Source: Genova, 22 \/ 08 \/ 1972,\u00a0Teatro Alcione (Italy).
Rec.Level: C<\/strong> (Mono)
Format: 12″ single, 33 RPM. 100 copies numbered on full-colour picture disc.<\/span><\/p>\n

SIDE ONE: Watcher Of The Skies \/ Bye Bye Johnny (original version of Can Utility And The Coastliners) \/ The Fountain Of Salmacis
SIDE TWO: Seven Stones \/ The Musical Box \/ The Return Of The Giant Hogweed.<\/span><\/p>\n

\n<\/td>\n<\/tr>\n
\n

\"Children\"<\/span>9 – COME ANCIENT CHILDREN<\/strong><\/span><\/p>\n

\u00a0Alternative Recording Company, GNV015.
Source: Reading Festival,\u00a0
11 \/ 08 \/ 1972.
Rec.Level:B (Mono).
Format: 12″ single, 33 RPM. Deluxe full color cover with 100 numbered copies on colour vinyl (pale yellow). Inside there is a thick clear plastic sleeve with a 12″ x 12″ full-colour cardboard flat that is hand numbered.<\/span><\/p>\n

SIDE ONE: The Knife \/ Twilight Alehouse \/ Watcher Of The Skies
SIDE TWO: The Musical Box \/ The Return Of The Giant Hogweed.<\/span><\/p>\n

\n<\/td>\n		\n

\"Children<\/span>10 – COME ANCIENT CHILDREN (picture disc)<\/strong><\/span><\/p>\n

\u00a0Alternative Recording Company, GNV015.
Source: Reading Festival,
11 \/ 08 \/ 1972.
Rec.Level: B<\/strong> (Mono).
Format: 12″ single, 33 RPM. 100 copies numbered on full-colour picture disc.<\/span><\/p>\n

SIDE ONE: The Knife \/ Twilight Alehouse \/ Watcher Of The Skies
SIDE TWO: The Musical Box \/ The Return Of The Giant Hogweed.<\/span><\/p>\n

\n<\/td>\n<\/tr>\n
\n

\"The<\/span>11 – THE SHEPHERD<\/strong><\/span><\/p>\n

\u00a0Flashback 09.90 0126-33.
Source: BBC Night Ride Session,
10 \/ 05 \/ 1971 (*) \/ 25 \/ 09 \/ 1972 (**).
Rec.Level: A<\/strong> (Stereo).
Format: 12″ single, 33 RPM. Deluxe full colour cover.<\/span><\/p>\n

SIDE ONE: Shepherd \/ Placidy \/ Let Us Now Make Love \/ Stagnation (*)
SIDE TWO: Looking For Someone(*) \/ Twilight Alehouse \/ Watcher Of The Skies (**).<\/span><\/p>\n

\n<\/td>\n		\n

<\/span>12 – SHARPENED TO THE HILT<\/strong><\/span><\/p>\n

\u00a0Alternative Recording Company, GNV016.
Source: Verona Lem Club, 15\/04\/1972
(*) \/ Lugo di Romagna -Hit Parade, 09\/04\/1972 (**).
Rec.Level: B<\/strong> (Mono).
Format: 12″ single, 33 RPM. Deluxe full colour cover with 100 numbered copies on colour vinyl. Inside there is a thick clear plastic sleeve with a 12″ x 12″ full-colour cardboard flat that is hand numbered.<\/span><\/p>\n

SIDE ONE: Happy The Man (*) \/ Stagnation (*) \/ The Knife (*)
SIDE TWO: Going Out To Get You (*) \/ Drum Solo (**) \/ Twilight Alehouse (**) \/ Bye Bye Johnny (original version of Can Utility And The Coastliners) (**).<\/span><\/p>\n

\n<\/td>\n<\/tr>\n
\n

\"Hilt<\/span>13 – SHARPENED TO THE HILT (picture disc)<\/strong><\/span><\/p>\n

\u00a0Alternative Recording Company, GNV016.
Source: Verona Lem Club, 15\/04\/1972
(*) \/ Lugo di Romagna – Hit Parade, 09\/04\/1972 (**).
Rec.Level: B<\/strong> (Mono).
Format: 12″ single, 33 RPM. 100 copies numbered on
full-colour picture disc.<\/span><\/p>\n

SIDE ONE: Happy The Man (*) \/ Stagnation (*) \/ The Knife (*)
SIDE TWO: Going Out To Get You (*) \/ Drum Solo (**) \/ Twilight Alehouse (**) \/ Bye Bye Johnny (original version of Can Utility And The Coastliners) (**).<\/span><\/p>\n

\n<\/td>\n		\n

<\/span>14 – CASTING JUST A GLANCE<\/strong><\/span><\/p>\n

\u00a0BRUSH.
Source: Bruxelles, Charleroi Festival,\u00a0\u00a0 16 \/ 01 \/ 1972.
Rec.Level: A<\/strong> (Stereo).
Format: 7″ single, 33 RPM. Limited edition of 100 numbered copies on multicoloured vinyl. Copy of “The Story so Far…”.<\/span><\/p>\n

SIDE ONE: Stagnation<\/span><\/p>\n

SIDE TWO: Twilight Alehouse.<\/span><\/p>\n

\n<\/td>\n<\/tr>\n
\n

<\/span>15 – CASTING JUST A GLANCE (picture disc)<\/strong><\/span><\/p>\n

\u00a0BRUSH.<\/span><\/p>\n

Source: Bruxelles, Charleroi Festival,\u00a0\u00a0 16 \/ 01 \/ 1972.
Rec.Level: A<\/strong> (Stereo).
Format: 7″ single, 33 RPM. Limited edition of 50 numbered copies. Copy of “The Story So Far…”.<\/span><\/p>\n

SIDE ONE: Stagnation<\/span><\/p>\n

SIDE TWO: Twilight Alehouse.<\/span><\/p>\n<\/td>\n

\n

<\/a><\/span>16 – IMAGE BLOWN OUT
\/ SHE’S SO BEAUTIFUL\u00a0<\/strong><\/span><\/p>\n

\u00a0Rus Foley RFEP 7 (W\/G\/R\/B\/Y).<\/span><\/p>\n

Source: Studio outtakes.
Rec.Level: B.
Format: 7″ EP single. Five multicoloured vinyl (limited edition of 100 copies each one): Yellow, Blue, Green, Red and White.\u00a0From Demo Tape.<\/span><\/p>\n

SIDE ONE: The Image Blown Out<\/span><\/p>\n

SIDE TWO: She’s So Beautiful<\/span><\/p>\n

\u00a0<\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n
Go Back<\/a><\/h5>\n","protected":false},"excerpt":{"rendered":"

1 – THE HIDING PLACE \u00a0GNV 100. Source: London, 22 \/ 02 \/ 1970, Trident Studios (demo). Rec.Level: A. Format: 12″ single, 33 RPM. Limited edition for Promotional Use. Edited and produced by GNC Rec. Artwork by Gnuvo. Black and white cover. First recording John Mayhew on drums. First\u00a0 pressing 50 numb. copies (Handmade Art […]<\/p>\n","protected":false},"author":1,"featured_media":623,"parent":0,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-639","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/639","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/comments?post=639"}],"version-history":[{"count":0,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/639\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media\/623"}],"wp:attachment":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media?parent=639"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}