{"id":618,"date":"2013-09-04T16:09:59","date_gmt":"2013-09-04T16:09:59","guid":{"rendered":"https:\/\/2026.ikon2023.eu\/index.php\/foxtrt-lyrics\/"},"modified":"2013-09-04T16:09:59","modified_gmt":"2013-09-04T16:09:59","slug":"foxtrt-lyrics","status":"publish","type":"page","link":"https:\/\/2026.ikon2023.eu\/index.php\/foxtrt-lyrics\/","title":{"rendered":"Foxtrot – Lyrics"},"content":{"rendered":"

\n\t <\/p>\n\n\n\n\n\n\n\n\n
\n\t\t\t\t\"\"<\/td>\n\n
\n\t\t\t\t\tFOXTROT<\/span><\/strong><\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tPeter Gabriel – lead voice, flute, bass drum, tamborine, oboe<\/strong><\/div>\n
\n\t\t\t\t\tTony Banks – organ, mellotron, piano, electric piano, 12 string, voices<\/strong><\/div>\n
\n\t\t\t\t\tMike Rutherford – bass, pedal bass, 12 string, cello, voices<\/strong><\/div>\n
\n\t\t\t\t\tSteve Hacket – electric guitar, 12 string, 6 string solo<\/strong><\/div>\n
\n\t\t\t\t\tPhil Collins – drums, percussion<\/strong><\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tOCTOBER 1972<\/strong><\/div>\n<\/td>\n<\/tr>\n
\n
\n\t\t\t\t\tWATCHER OF THE SKIES<\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tWatcher of the skies watcher of all <\/div>\n
\n\t\t\t\t\tHis is a world alone no world is his own, <\/div>\n
\n\t\t\t\t\tHe whom life can no longer surprise, <\/div>\n
\n\t\t\t\t\tRaising his eyes beholds a planet unknown. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tCreatures shaped this planet’s soil, <\/div>\n
\n\t\t\t\t\tNow their reign has come to an end, <\/div>\n
\n\t\t\t\t\tHas life again destroyed life, <\/div>\n
\n\t\t\t\t\tDo they play elsewhere, do they know <\/div>\n
\n\t\t\t\t\tmore than their childhood games? <\/div>\n
\n\t\t\t\t\tMaybe the lizard’s shed its tail, <\/div>\n
\n\t\t\t\t\tThis is the end of man’s long union with Earth. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tJudge not this race by empty remains <\/div>\n
\n\t\t\t\t\tDo you judge God by his creatures when they are dead? <\/div>\n
\n\t\t\t\t\tFor now, the lizard’s shed it’s tail <\/div>\n
\n\t\t\t\t\tThis is the end of man’s long union with Earth. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tFrom life alone to life as one, <\/div>\n
\n\t\t\t\t\tThink not your journey’s done <\/div>\n
\n\t\t\t\t\tFor though your ship be sturdy, no <\/div>\n
\n\t\t\t\t\tMercy has the sea, <\/div>\n
\n\t\t\t\t\tWill you survive on the ocean of being? <\/div>\n
\n\t\t\t\t\tCome ancient children hear what I say <\/div>\n
\n\t\t\t\t\tThis is my parting council for you on your way. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tSadly now your thoughts turn to the stars <\/div>\n
\n\t\t\t\t\tWhere we have gone you know you never can go. <\/div>\n
\n\t\t\t\t\tWatcher of the skies watcher of all <\/div>\n
\n\t\t\t\t\tThis is your fate alone, this fate is your own. <\/div>\n<\/td>\n
\n
\n\t\t\t\t\tTIME TABLE<\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tA carved oak table, <\/div>\n
\n\t\t\t\t\tTells a tale <\/div>\n
\n\t\t\t\t\tOf times when kings and queens sipped wine from goblets gold, <\/div>\n
\n\t\t\t\t\tAnd the brave would lead their ladies from out of the room <\/div>\n
\n\t\t\t\t\tto arbours cool. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tA time of valour, and legends born <\/div>\n
\n\t\t\t\t\tA time when honour meant much more to a man than life <\/div>\n
\n\t\t\t\t\tAnd the days knew only strife to tell right from wrong <\/div>\n
\n\t\t\t\t\tThrough lance and sword. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tWhy, why can we never be sure till we die <\/div>\n
\n\t\t\t\t\tOr have killed for an answer, <\/div>\n
\n\t\t\t\t\tWhy, why do we suffer each race to believe <\/div>\n
\n\t\t\t\t\tThat no race has been grander <\/div>\n
\n\t\t\t\t\tIt seems because through time and space <\/div>\n
\n\t\t\t\t\tThough names may change each face retains the mask it wore. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tA dusty table <\/div>\n
\n\t\t\t\t\tMusty smells <\/div>\n
\n\t\t\t\t\tTarnished silver lies discarded upon the floor <\/div>\n
\n\t\t\t\t\tOnly feeble light descends through a film of grey <\/div>\n
\n\t\t\t\t\tThat scars the panes. <\/div>\n
\n\t\t\t\t\tGone the carving, <\/div>\n
\n\t\t\t\t\tAnd those who left their mark, <\/div>\n
\n\t\t\t\t\tGone the kings and queens now only the rats hold sway <\/div>\n
\n\t\t\t\t\tAnd the weak must die according to nature’s law <\/div>\n
\n\t\t\t\t\tAs old as they. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tWhy, why can we never be sure till we die <\/div>\n
\n\t\t\t\t\tOr have killed for an answer, <\/div>\n
\n\t\t\t\t\tWhy, why do we suffer each race to believe <\/div>\n
\n\t\t\t\t\tThat no race has been grander <\/div>\n
\n\t\t\t\t\tIt seems because through time and space <\/div>\n
\n\t\t\t\t\tThough names may change each face retains the mask it wore. <\/div>\n<\/td>\n<\/tr>\n
\n
\n\t\t\t\t\tGET ‘EM OUT BY FRIDAY<\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tJOHN PEBBLE OF STYX ENTERPRISES <\/div>\n
\n\t\t\t\t\t“Get ’em out by Friday! <\/div>\n
\n\t\t\t\t\tYou don’t get paid till the last one’s well on his way. <\/div>\n
\n\t\t\t\t\tGet ’em out by Friday! <\/div>\n
\n\t\t\t\t\tIt’s important that we keep to schedule, there must be no delay.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tMARK HALL OF STYX ENTERPRISES (OTHERWISE KNOWN AS ‘THE WINKLER’) <\/div>\n
\n\t\t\t\t\t“I represent a firm of gentlemen who recently purchased this <\/div>\n
\n\t\t\t\t\thouse and all the others in the road, <\/div>\n
\n\t\t\t\t\tIn the interest of humanity we’ve found a better place for you <\/div>\n
\n\t\t\t\t\tto go, go-woh, go-woh” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tMRS. BARROW (A TENANT) <\/div>\n
\n\t\t\t\t\t“Oh no, this I can’t believe, <\/div>\n
\n\t\t\t\t\tOh Mary, they’re asking us to leave.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tMR. PEBBLE <\/div>\n
\n\t\t\t\t\t“Get ’em out by Friday! <\/div>\n
\n\t\t\t\t\tI’ve told you before, ‘s good many gone if we let them stay. <\/div>\n
\n\t\t\t\t\tAnd if it isn’t easy, <\/div>\n
\n\t\t\t\t\tYou can squeeze a little grease and our troubles will soon run away.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tMRS. BARROW <\/div>\n
\n\t\t\t\t\t“After all this time, they ask us to leave, <\/div>\n
\n\t\t\t\t\tAnd I told them we could pay double the rent. <\/div>\n
\n\t\t\t\t\tI don’t know why it seemed so funny, <\/div>\n
\n\t\t\t\t\tSeeing as how they’d take more money. <\/div>\n
\n\t\t\t\t\tThe winkler called again, he came here this morning, <\/div>\n
\n\t\t\t\t\tWith four hundred pounds and a photograph of the place he has found. <\/div>\n
\n\t\t\t\t\tA block of flats with central heating. <\/div>\n
\n\t\t\t\t\tI think we’re going to find it hard.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tMR. PEBBLE <\/div>\n
\n\t\t\t\t\t“Now we’ve got them! <\/div>\n
\n\t\t\t\t\tI’ve always said that cash cash cash can do anything well. <\/div>\n
\n\t\t\t\t\tWork can be rewarding <\/div>\n
\n\t\t\t\t\tWhen a flash of intuition is a gift that helps you excel-sell-sell-sell.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tMR. HALL <\/div>\n
\n\t\t\t\t\t“Here we are in Harlow New Town, did you recognise your block <\/div>\n
\n\t\t\t\t\tacross the square, over there, <\/div>\n
\n\t\t\t\t\tSadly since last time we spoke, we’ve found we’ve had to raise <\/div>\n
\n\t\t\t\t\tthe rent again, <\/div>\n
\n\t\t\t\t\tjust a bit.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tMRS. BARROW <\/div>\n
\n\t\t\t\t\t“Oh no, this I can’t believe <\/div>\n
\n\t\t\t\t\tOh Mary, and we agreed to leave.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\t(a passage of time) <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\t18\/9\/2012 T.V. FLASH ON ALL DIAL-A-PROGRAM SERVICES <\/div>\n
\n\t\t\t\t\tThis is an announcement from Genetic Control: <\/div>\n
\n\t\t\t\t\t“It is my sad duty to inform you of a four foot restriction on <\/div>\n
\n\t\t\t\t\thumanoid height.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tEXTRACT FROM CONVERSATION OF JOE ORDINARY IN LOCAL PUBORAMA <\/div>\n
\n\t\t\t\t\t“I hear the directors of Genetic Control have been buying all the <\/div>\n
\n\t\t\t\t\tproperties that have recently been sold, taking risks oh so bold. <\/div>\n
\n\t\t\t\t\tIt’s said now that people will be shorter in height, <\/div>\n
\n\t\t\t\t\tthey can fit twice as many in the same building site. <\/div>\n
\n\t\t\t\t\t(they say it’s alright), <\/div>\n
\n\t\t\t\t\tBeginning with the tenants of the town of Harlow, <\/div>\n
\n\t\t\t\t\tin the interest of humanity, they’ve been told they must go, <\/div>\n
\n\t\t\t\t\ttold they must go-go-go-go.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tSIR JOHN DE PEBBLE OF UNITED BLACKSPRINGS INTERNATIONAL <\/div>\n
\n\t\t\t\t\t“I think I’ve fixed a new deal <\/div>\n
\n\t\t\t\t\tA dozen properties – we’ll buy at five and sell at thirty four, <\/div>\n
\n\t\t\t\t\tSome are still inhabited, <\/div>\n
\n\t\t\t\t\tIt’s time to send the winkler to see them, <\/div>\n
\n\t\t\t\t\the’ll have to work some more.” <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tMEMO FROM SATIN PETER OF ROCK DEVELOPMENT LTD. <\/div>\n
\n\t\t\t\t\tWith land in your hand, you’ll be happy on earth <\/div>\n
\n\t\t\t\t\tThen invest in the Church for your heaven. <\/div>\n<\/td>\n
\n
\n\t\t\t\t\tCAN-UTILITY AND THE COASTLINERS<\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tThe scattered pages of a book by the sea <\/div>\n
\n\t\t\t\t\tHeld by the sand, washed by the waves <\/div>\n
\n\t\t\t\t\tA shadow forms cast by a cloud, <\/div>\n
\n\t\t\t\t\tSkimming by as eyes of the past, but the rising tide <\/div>\n
\n\t\t\t\t\tAbsorbs them effortlessly claiming. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tThey told of one who tired of all singing, <\/div>\n
\n\t\t\t\t\t“Praise him, praise him.” <\/div>\n
\n\t\t\t\t\t“We heed not flatterers,” he cried, <\/div>\n
\n\t\t\t\t\t“By our command, waters retreat, <\/div>\n
\n\t\t\t\t\tShow my power, halt at my feet,” <\/div>\n
\n\t\t\t\t\tBut the cause was lost, <\/div>\n
\n\t\t\t\t\tNow cold winds blow. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tFor from the north overcast ranks advance <\/div>\n
\n\t\t\t\t\tFear of the storm accusing with rage and scorn. <\/div>\n
\n\t\t\t\t\tThe waves surround the sinking throne <\/div>\n
\n\t\t\t\t\tSinging “Crown him, crown him,” <\/div>\n
\n\t\t\t\t\t“Those who love our majesty show themselves!” <\/div>\n
\n\t\t\t\t\tAll bent their knees. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tBut he forced a smile even though <\/div>\n
\n\t\t\t\t\tHis hopes lay dashed where offerings fell (where they fell). <\/div>\n
\n\t\t\t\t\t“Nothing can my peace destroy as long as none smile.” <\/div>\n
\n\t\t\t\t\tMore opened ears and opened eyes, <\/div>\n
\n\t\t\t\t\tAnd soon they dared to laugh. <\/div>\n
\n\t\t\t\t\tSee a little man with his face turning red <\/div>\n
\n\t\t\t\t\tThough his story’s often told you can tell he’s dead. <\/div>\n<\/td>\n<\/tr>\n
\n
\n\t\t\t\t\tHORIZONS – Instrumental<\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tSUPPER’S READY<\/div>\n
\n\t\t\t\t\ti. LOVERS’ LEAP <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tWalking across the sitting-room, I turn the television off. <\/div>\n
\n\t\t\t\t\tSitting beside you, I look into your eyes. <\/div>\n
\n\t\t\t\t\tAs the sound of motor cars fades in the night time, <\/div>\n
\n\t\t\t\t\tI swear I saw your face change, it didn’t seem quite right. <\/div>\n
\n\t\t\t\t\t…And it’s hello babe with your guardian eyes so blue <\/div>\n
\n\t\t\t\t\tHey my baby don’t you know our love is true. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tComing closer with our eyes, a distance falls around our bodies. <\/div>\n
\n\t\t\t\t\tOut in the garden, the moon seems very bright, <\/div>\n
\n\t\t\t\t\tSix saintly shrouded men move across the lawn slowly. <\/div>\n
\n\t\t\t\t\tThe seventh walks in front with a cross held high in hand. <\/div>\n
\n\t\t\t\t\t…And it’s hey babe your supper’s waiting for you. <\/div>\n
\n\t\t\t\t\tHey my baby, don’t you know our love is true. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tI’ve been so far from here, <\/div>\n
\n\t\t\t\t\tFar from your warm arms. <\/div>\n
\n\t\t\t\t\tIt’s good to feel you again, <\/div>\n
\n\t\t\t\t\tIt’s been a long long time. Hasn’t it? <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tii. THE GUARANTEED ETERNAL SANCTUARY MAN <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tI know a farmer who looks after the farm. <\/div>\n
\n\t\t\t\t\tWith water clear, he cares for all his harvest. <\/div>\n
\n\t\t\t\t\tI know a fireman who looks after the fire. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tYou, can’t you see he’s fooled you all. <\/div>\n
\n\t\t\t\t\tYes, he’s here again, can’t you see he’s fooled you all. <\/div>\n
\n\t\t\t\t\tShare his peace, <\/div>\n
\n\t\t\t\t\tSign the lease. <\/div>\n
\n\t\t\t\t\tHe’s a supersonic scientist, <\/div>\n
\n\t\t\t\t\tHe’s the guaranteed eternal sanctuary man. <\/div>\n
\n\t\t\t\t\tLook, look into my mouth he cries, <\/div>\n
\n\t\t\t\t\tAnd all the children lost down many paths, <\/div>\n
\n\t\t\t\t\tI bet my life you’ll walk inside <\/div>\n
\n\t\t\t\t\tHand in hand, <\/div>\n
\n\t\t\t\t\tgland in gland <\/div>\n
\n\t\t\t\t\tWith a spoonful of miracle, <\/div>\n
\n\t\t\t\t\tHe’s the guaranteed eternal sanctuary man. <\/div>\n
\n\t\t\t\t\tWe will rock you, rock you little snake, <\/div>\n
\n\t\t\t\t\tWe will keep you snug and warm. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tiii. IKHNATON AND ITSACON AND THEIR BAND OF MERRY MEN <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tWearing feelings on our faces while our faces took a rest, <\/div>\n
\n\t\t\t\t\tWe walked across the fields to see the children of the West, <\/div>\n
\n\t\t\t\t\tBut we saw a host of dark skinned warriors <\/div>\n
\n\t\t\t\t\tstanding still below the ground, <\/div>\n
\n\t\t\t\t\tWaiting for battle. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tThe fight’s begun, they’ve been released. <\/div>\n
\n\t\t\t\t\tKilling foe for peace…bang, bang, bang. Bang, bang, bang… <\/div>\n
\n\t\t\t\t\tAnd they’re giving me a wonderful potion, <\/div>\n
\n\t\t\t\t\t‘Cos I cannot contain my emotion. <\/div>\n
\n\t\t\t\t\tAnd even though I’m feeling good, <\/div>\n
\n\t\t\t\t\tSomething tells me I’d better activate my prayer capsule. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tToday’s a day to celebrate, the foe have met their fate. <\/div>\n
\n\t\t\t\t\tThe order for rejoicing and dancing has come from our warlord. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tiv. HOW DARE I BE SO BEAUTIFUL? <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tWandering through the chaos the battle has left, <\/div>\n
\n\t\t\t\t\tWe climb up a mountain of human flesh, <\/div>\n
\n\t\t\t\t\tTo a plateau of green grass, and green trees full of life. <\/div>\n
\n\t\t\t\t\tA young figure sits still by a pool, <\/div>\n
\n\t\t\t\t\tHe’s been stamped “Human Bacon” by some butchery tool. <\/div>\n
\n\t\t\t\t\t(He is you) <\/div>\n
\n\t\t\t\t\tSocial Security took care of this lad. <\/div>\n
\n\t\t\t\t\tWe watch in reverence, as Narcissus is turned to a flower. <\/div>\n
\n\t\t\t\t\tA flower? <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tv. WILLOW FARM <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tIf you go down to Willow Farm, <\/div>\n
\n\t\t\t\t\tto look for butterflies, flutterbyes, gutterflies <\/div>\n
\n\t\t\t\t\tOpen your eyes, it’s full of surprise, everyone lies, <\/div>\n
\n\t\t\t\t\tlike the focks on the rocks, <\/div>\n
\n\t\t\t\t\tand the musical box. <\/div>\n
\n\t\t\t\t\tOh, there’s Mum & Dad, and good and bad, <\/div>\n
\n\t\t\t\t\tand everyone’s happy to be here. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tThere’s Winston Churchill dressed in drag, <\/div>\n
\n\t\t\t\t\the used to be a British flag, plastic bag, what a drag. <\/div>\n
\n\t\t\t\t\tThe frog was a prince, the prince was a brick, the brick was an egg, <\/div>\n
\n\t\t\t\t\tthe egg was a bird. <\/div>\n
\n\t\t\t\t\t(Fly away you sweet little thing, they’re hard on your tail) <\/div>\n
\n\t\t\t\t\tHadn’t you heard? <\/div>\n
\n\t\t\t\t\t(They’re going to change you into a human being!) <\/div>\n
\n\t\t\t\t\tYes, we’re happy as fish and gorgeous as geese, <\/div>\n
\n\t\t\t\t\tand wonderfully clean in the morning. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tWe’ve got everything, we’re growing everything, <\/div>\n
\n\t\t\t\t\tWe’ve got some in <\/div>\n
\n\t\t\t\t\tWe’ve got some out <\/div>\n
\n\t\t\t\t\tWe’ve got some wild things floating about <\/div>\n
\n\t\t\t\t\tEveryone, we’re changing everyone, <\/div>\n
\n\t\t\t\t\tyou name them all, <\/div>\n
\n\t\t\t\t\tWe’ve had them here, <\/div>\n
\n\t\t\t\t\tAnd the real stars are still to appear. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tALL CHANGE! <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tFeel your body melt; <\/div>\n
\n\t\t\t\t\tMum to mud to mad to dad <\/div>\n
\n\t\t\t\t\tDad diddley office, Dad diddley office, <\/div>\n
\n\t\t\t\t\tYou’re all full of ball. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tDad to dam to dum to mum <\/div>\n
\n\t\t\t\t\tMum diddley washing, Mum diddley washing, <\/div>\n
\n\t\t\t\t\tYou’re all full of ball. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tLet me hear you lies, we’re living this up to the eyes. <\/div>\n
\n\t\t\t\t\tOoee-ooee-ooee-oowaa <\/div>\n
\n\t\t\t\t\tMomma I want you now. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tAnd as you listen to my voice <\/div>\n
\n\t\t\t\t\tTo look for hidden doors, tidy floors, more applause. <\/div>\n
\n\t\t\t\t\tYou’ve been here all the time, <\/div>\n
\n\t\t\t\t\tLike it or not, like what you got, <\/div>\n
\n\t\t\t\t\tYou’re under the soil (the soil, the soil), <\/div>\n
\n\t\t\t\t\tYes, deep in the soil (the soil, the soil, the soil!). <\/div>\n
\n\t\t\t\t\tSo we’ll end with a whistle and end with a bang <\/div>\n
\n\t\t\t\t\tand all of us fit in our places. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tvi. APOCALYPSE IN 9\/8 (CO-STARRING THE DELICIOUS TALENTS OF GABBLE RATCHET) <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tWith the guards of Magog, swarming around, <\/div>\n
\n\t\t\t\t\tThe Pied Piper takes his children underground. <\/div>\n
\n\t\t\t\t\tDragons coming out of the sea, <\/div>\n
\n\t\t\t\t\tShimmering silver head of wisdom looking at me. <\/div>\n
\n\t\t\t\t\tHe brings down the fire from the skies, <\/div>\n
\n\t\t\t\t\tYou can tell he’s doing well by the look in human eyes. <\/div>\n
\n\t\t\t\t\tBetter not compromise. <\/div>\n
\n\t\t\t\t\tIt won’t be easy. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\t666 is no longer alone, <\/div>\n
\n\t\t\t\t\tHe’s getting out the marrow in your back bone, <\/div>\n
\n\t\t\t\t\tAnd the seven trumpets blowing sweet rock and roll, <\/div>\n
\n\t\t\t\t\tGonna blow right down inside your soul. <\/div>\n
\n\t\t\t\t\tPythagoras with the looking glass reflects the full moon, <\/div>\n
\n\t\t\t\t\tIn blood, he’s writing the lyrics of a brand new tune. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tAnd it’s hey babe, with your guardian eyes so blue, <\/div>\n
\n\t\t\t\t\tHey my baby, don’t you know our love is true, <\/div>\n
\n\t\t\t\t\tI’ve been so far from here, <\/div>\n
\n\t\t\t\t\tFar from your loving arms, <\/div>\n
\n\t\t\t\t\tNow I’m back again, and babe it’s gonna work out fine. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tvii. AS SURE AS EGGS IS EGGS (ACHING MEN’S FEET) <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tCan’t you feel our souls ignite <\/div>\n
\n\t\t\t\t\tShedding ever changing colours, in the darkness of the fading night, <\/div>\n
\n\t\t\t\t\tLike the river joins the ocean, as the germ in a seed grows <\/div>\n
\n\t\t\t\t\tWe have finally been freed to get back home. <\/div>\n
\n\t\t\t\t\t <\/div>\n
\n\t\t\t\t\tThere’s an angel standing in the sun, and he’s crying with a loud voice, <\/div>\n
\n\t\t\t\t\t“This is the supper of the mighty one”, <\/div>\n
\n\t\t\t\t\tLord of Lords, <\/div>\n
\n\t\t\t\t\tKing of Kings, <\/div>\n
\n\t\t\t\t\tHas returned to lead his children home, <\/div>\n
\n\t\t\t\t\tTo take them to the new Jerusalem. <\/div>\n<\/td>\n
\n\t\t\t\t <\/td>\n<\/tr>\n
\n\t\t\t\t <\/td>\n\n\t\t\t\t <\/td>\n<\/tr>\n
\n\t\t\t\t <\/td>\n\n\t\t\t\t <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

\n\t <\/p>\n

\n
\n\t\t <\/div>\n<\/div>\n
\n\tGo Back<\/a><\/h5>\n","protected":false},"excerpt":{"rendered":"

  FOXTROT   Peter Gabriel – lead voice, flute, bass drum, tamborine, oboe Tony Banks – organ, mellotron, piano, electric piano, 12 string, voices Mike Rutherford – bass, pedal bass, 12 string, cello, voices Steve Hacket – electric guitar, 12 string, 6 string solo Phil Collins – drums, percussion   OCTOBER 1972 WATCHER OF THE […]<\/p>\n","protected":false},"author":1,"featured_media":187,"parent":0,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-618","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/618","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/comments?post=618"}],"version-history":[{"count":0,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/618\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media\/187"}],"wp:attachment":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media?parent=618"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}