{"id":146,"date":"2014-12-22T20:29:15","date_gmt":"2014-12-22T20:29:15","guid":{"rendered":"https:\/\/2026.ikon2023.eu\/index.php\/ultimate-lamb-virtuoso-051-052\/"},"modified":"2014-12-22T20:29:15","modified_gmt":"2014-12-22T20:29:15","slug":"ultimate-lamb-virtuoso-051-052","status":"publish","type":"page","link":"https:\/\/2026.ikon2023.eu\/index.php\/ultimate-lamb-virtuoso-051-052\/","title":{"rendered":"Ultimate Lamb (Virtuoso 051\/052)"},"content":{"rendered":"<p style=\"text-align: justify;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\" alignleft size-full wp-image-145\" style=\"float: left; margin-left: 10px; margin-right: 10px;\" src=\"https:\/\/2026.ikon2023.eu\/wp-content\/uploads\/2014\/12\/genesis_ultimatelamb-772.jpg\" alt=\"\" width=\"302\" height=\"300\" srcset=\"https:\/\/2026.ikon2023.eu\/wp-content\/uploads\/2014\/12\/genesis_ultimatelamb-772.jpg 302w, https:\/\/2026.ikon2023.eu\/wp-content\/uploads\/2014\/12\/genesis_ultimatelamb-772-300x298.jpg 300w, https:\/\/2026.ikon2023.eu\/wp-content\/uploads\/2014\/12\/genesis_ultimatelamb-772-150x150.jpg 150w\" sizes=\"auto, (max-width: 302px) 100vw, 302px\" \/>Lakeland Civic Center Concert Hall, Lakeland, FL \u2013 January 11th, 1975<\/strong><\/p>\n<p> <em>Disc 1 (49:19):\u00a0 The Lamb Lies Down On Broadway, Fly On a Windshield, Broadway Melody Of 1974, Cuckoo Cocoon, In The Cage, The Grand Parade Of Lifeless Packaging, Rael\u2019s Story (part 1), Back In N.Y.C., Hairless Heart, Counting Out Time, The Carpet Crawlers, The Chamber Of 32 Doors<\/p>\n<p> Disc 2 (66:39):\u00a0 Rael\u2019s Story (part 2), Lilywhite Lilith, The Waiting Room, Anyway, Here Comes The Supernatural Anesthetist, interlude, The Lamia, Silent Sorrow In Empty Boats, The Colony Of Slippermen, Ravine, The Light Dies Down On Broadway, Riding The Scree, In The Rapids, It, The Musical Box<\/em><\/p>\n<p> Virtuoso have been plumbing the Genesis Lamb soundboards the past year and Ultimate Lamb is the latest.\u00a0 Using the second of what are called the Mike Rutherford soundboards, this captures the Lakeland Florida show on January 11th, 1975.\u00a0 It was utilized on From One Fan To All Others (Stonehenge STBX 016\/STBX 017\/STBX 018) and The Lamb Lives (Backstage BKCD 033\/034) in varying degrees of quality.\u00a0 Virtuoso\u00a0 \u00a0<\/p>\n<p> \u201cFor nearly 20 years, avid \u2018Lamb\u2019 fans did not have much to rejoice about as far as live recordings were concerned. One of the Los Angeles performances was recorded by the King Biscuit team, one of the Wembley shows was recorded by the BBC, but in both cases only highlights of the concert ever reached the airwaves. As for audience recordings, only a handful (and often not the best) emerged as bootleg LPs, none of them offering a full \u2018Lamb\u2019 show, complete with encores. Patient fans had to wait until the mid-nineties for some full \u2018Lamb\u2019 live recordings to finally surface. The two most notorious shows to appear on bootleg CDs at the time were soundboard recordings of two Florida concerts: West Palm Beach, recorded on January 10th 1975, released by the Oxygen label under the title of \u2018The Lamb Descends On Waterbury\u2019 (???), and Lakeland, from January 11th 1975, released on the Backstage label under the title of \u2018The Lamb Lives\u2019. It is now known that both these recordings were doctored with patches used to fill in some missing segments but, at the time, the release of both CDs came as a welcome surprise for all Genesis fans. For the first time, fans could finally hear a full \u2018Lamb\u2019 performance presented in fantastic sound quality.<\/p>\n<p> \u201cIn the years that followed the release of these CDs, many other \u2018Lamb\u2019 shows have seen the light of day, each one as interesting as the next but, for its great quality both in sound and performance, the Lakeland show has remained a favourite among devotees. A few years ago, a lower generation version of this recording began to make the rounds in trading circles, giving birth to a couple of excellent remasters from SAB and BURP. A still lower generation recording was discovered recently and it is on this version that PRRP has based this brand new remaster. Purists will most likely frown a little, but we have decided to use segments from another show to fill in the missing sections and offer a more complete listening experience. We have drawn the line at Peter Gabriel\u2019s story to introduce \u2018The Musical Box\u2019, however. Since he tended to vary the story a little from one night to the next, it would have been inaccurate to use the introduction from another show. Enjoy!<\/p>\n<p> \u201cFans of Genesis have been quite blessed recently with the release of so many Soundboard and Open Air Microphone recordings of the Lamb. For this remaster project we began with a FLAC version of GASP 016, the Genesis Lakeland \u201975 show. This recording has always had a reputation for high quality and now, with the release of the master from the GASP group, the audio experience is made even better. Still, analysis of this recording did reveal flaws that required correction.<\/p>\n<p> \u201cAs usual with recordings of this age, many clicks, pop and other tape imperfections were found and corrected. A simple channel imbalance was also present and corrected as were the overall dynamics of the recording to provide a consistency of volume for both the quiet and loud sections of the show. But the most obvious problem with the show was the tape speed. It is clear that two tapes were used to record the show and each had its own speed error. Now corrected, the recording truly shines not only as a good audio capture but also as a great performance of the Lamb. Sections of the show were unfortunately missing but were patched to provide the full show for your listening pleasure. The final step was to track the show in accordance with known standard references.\u201d<\/p>\n<p> The result of such a careful remastering is to make another wise dry and hissy soundboard sound much more dynamic and lively.\u00a0 Tony Banks in particular takes command throughout the show to the point where the guitar becomes almost irrelevant.\u00a0 He leads them through the tricky arrangments with interesting variations\u00a0 on the strong, moody mellotron in \u201cFly On A Windshield\u201d and takes any opportunity to introduce new themes in well known songs.\u00a0 Gabriel also tends to add great amounts of hostility to his vocals in the louder numbers \u201cIn The Cage\u201d and \u201cBack In N.Y.C.\u201d\u00a0 At the end of the abstract piece Phil Collins introduces \u201cThe Musical Box\u201d as a very old song and is the only encore played that night.\u00a0 They give an almost \u201cmodern\u201d interpretation of the piece with Henry returning at the end as the old man-Slipperman.\u00a0 Ultimate Lamb is another solid Genesis effort by Virtuoso with many great pics from the famous tour on the artwork.\u00a0<\/p>\n<p style=\"text-align: right;\"><strong><a title=\"The Lamb Lies Down on Broadway - Live Recordings by Virtuoso\" href=\"index.php?option=com_content&#038;view=article&#038;id=318\">Go Back<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lakeland Civic Center Concert Hall, Lakeland, FL \u2013 January 11th, 1975 Disc 1 (49:19):\u00a0 The Lamb Lies Down On Broadway, Fly On a Windshield, Broadway Melody Of 1974, Cuckoo Cocoon, In The Cage, The Grand Parade Of Lifeless Packaging, Rael\u2019s Story (part 1), Back In N.Y.C., Hairless Heart, Counting Out Time, The Carpet Crawlers, The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":145,"parent":0,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-146","page","type-page","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/146","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/comments?post=146"}],"version-history":[{"count":0,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/pages\/146\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media\/145"}],"wp:attachment":[{"href":"https:\/\/2026.ikon2023.eu\/index.php\/wp-json\/wp\/v2\/media?parent=146"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}